The
French Revolution, a critical turning point in world politics, marked an era of
strife, and this is visible in the simplicity of the clothing of that age as
well. In 1791 mass production found favor and shops were established in Paris
where ready-to-wear clothing was available. Economic constraints hindered the
use of silks, velvets, ribbons and laces. Instead cheaper materials, especially
cotton, became common. Rebels of both genders flaunted their patriotism by
wearing the tricolor of Bleu, Blanc and Et Rouge (blue, white and red).
Social
disparity was a major issue during the 1780s, and clothing is a symbol of
status at times. In order to eradicate the aristocratic vestiges, a sort of
‘uniform’ was adopted. This included bed gowns, jackets flared out at the hip, skirts,
petticoats, aprons, and neck cloths.
Sober and darker colors emphasized the
severity of the revolution. Mostly the tricolor or the national cockade
appeared on every costume, it was exceedingly dangerous to be seen without it
in the days when one government kept succeeding another.
The
color black was the most prominent in men’s clothing, silk and velvet were
replaced by cloth and leather. The masses came to be known as ‘Sans-culottes’,
a phrase that referred to the ‘long trousers’ worn by the lower classes, which
were celebrated in direct contradiction to the ‘knee breeches’ fashion of the
aristocracy.
1795-99
was relatively calmer and some semblance of normalcy was gained. Disgruntled
youth and artist ushered this regime in style. A new subculture of fashionable
aristocratic held balls and started fashion trends, creating the Incroyables
(incredible) men and their counterpart the Merveilleuses (marvelous
women).
Outrageous
fashion was displayed by both Incroyables and Merveilleuses; the women wore light
or even transparent linen and gauze, at times so revealing they were termed
‘woven air’ and dresses were straight or Empire line. Enormous hats and sandals
were tied above the ankle with crossed ribbons or strings of pearls.
Men were
eccentric, green jackets, wide trousers, huge neckties, thick glasses and hats
topped by ‘dog ears’. But society took a more sober and modest turn at the end
of this period.
Niddhi
Gala, a student of Whistling Woods Neeta Lulla School of Fashion, drew
inspiration from the French and has created outfits of this revolutionary era.
Studying the culture and understanding the fashion of the time, Niddhi’s
creations have truly captured the essence of the French Revolution!
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